| Upright #1 (C and N in Glenview, Illinois) |
2. By the time we moved into Paradise Valley in 1989, we disposed of the upright. Temporarily replaced it with a digital keyboard. This was the instrument on which the kids started taking lessons - from me. (That was not a permanent teaching solution.)
3. Sometime in the early 1990s, we bought a Steinway grand piano from the local dealer (then also a client) - a 1921 Model O - pretty good shape, and we much liked the cabinet (and bench, of all things). And they cut us a deal. That piano accompanied us up to 11419 in 1994.
4. As the years rolled past - and as inevitably happens - the Steinway increasingly showed its age. By 2009 (as discussed here), we invested a fair amount trying to get the action back up to snuff. By 2011 - as we observed the piano's 90th birthday (discussed here) - we were lamenting that the 2009 repair job hadn't really solved anything. By 2014 we adopted a temporary solution - PJ bought a quite nice digital piano; the Steinway's future remained unresolved. It was largely unused for years.
| Digital #1 (N with earphones; Paradise Valley, AZ) |
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| K on Steinway; Paradise Valley, 1993 |
6. So we were thinking in terms of keeping both pianos - the digital for daily/nightly practice use; the Steinway for "other". We priced out restoring the Steinway - pricey but feasible, and probably a good investment - but we started wondering how much "other" usage actually would take place. And in the reconfigured game room - space was at a premium.
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| Goodbye Steinway (also goodbye Roland (digital #2), per inset). |
7. Technology to the rescue! Various manufacturers are proposing various solutions - but Yamaha's "Transacoustic" approach appears to be the best fit for our situation (notwithstanding the rather strange branding). If you're interested in "why" - this article has perhaps the best explanation (though it's discussing a generation prior to ours, built on an acoustic piano a couple tiers down from ours). In a nutshell, this piano offers these main choices: (i) standalone acoustic piano; (ii) at the touch of a lever, the piano becomes "silent" - playable through earphones just like any other digital piano; (iii) you can play various voices simultaneously with the digital piano (either through headphones or not) - some of these combinations sound rather interesting - this is similar to any high-end digital piano, except when not using earphones, the soundboard is the speaker!; and (iv) you can play the acoustic piano and any of the digital voices together - which also creates some nice effects. The variety works!
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| New piano - acoustic and digital (also new patio doors . . . rather a nice spot to sit and play). |
I will mostly use (ii), except will use (i) when it's not annoying to others; occasionally will play with (iii) and (iv). Sure it's an upright - but so what! If you take away the Transacoustic elements, this is a serious acoustic piano - right at top of Yamaha's line. Confident it's a great solution.
Old pianos were sent off for consignment sale.


